The Midas Siena is a high quality dual purpose analogue mixing console with a buss structure designed for either monitor or front of house use.

Siena expands upon the proven engineering of the Verona series of consoles with additional functionality for monitor use. This 32 mic input channel mixer, with 16 mix bus outputs has many
sophisticated features including the Midas solo tracking system (STS), switched inserts on outputs, and a powerful logic controlled solo system. An appealing and affordable touring package for the discerning audio professional, working at either end of the multicore.
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The Midas Siena is a high quality dual purpose analogue mixing console with a buss structure designed for either monitor or front of house use.

Siena expands upon the proven engineering of the Verona series of consoles with additional functionality for monitor use. This 40 mic input channel mixer, with 16 mix bus outputs has many
sophisticated features including the Midas solo tracking system (STS), switched inserts on outputs, and a powerful logic controlled solo system. An outstanding install package for Concert sound, Theatre, Broadcast, House-of-worship or Audio-Visual applications.
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The Midas Siena is a high quality dual purpose analogue mixing console with a buss structure designed for either monitor or front of house use. Siena expands upon the proven engineering of the Verona series of consoles with additional functionality for monitor use. This 40 mic input channel mixer, with 16 mix bus outputs has many sophisticated features including the Midas solo tracking system (STS), switched inserts on outputs, and a powerful logic controlled solo system. An appealing and affordable touring package for the discerning audio professional, working at either end of the multicore.
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The Midas Siena is a high quality dual purpose analogue mixing console with a buss structure designed for either monitor or front of house use.

Siena expands upon the proven engineering of the Verona series of consoles with additional functionality for monitor use. This 48 mic input channel mixer, with 16 mix bus outputs has many
sophisticated features including the Midas solo tracking system (STS), switched inserts on outputs, and a powerful logic controlled solo system. An appealing and affordable touring package for the discerning audio professional, working at either end of the multicore.
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The Midas Verona, aimed directly at the professional market is a high quality 8 buss console. Configured here as an installation package, it is suitable for concert sound, theatre, places of worship or corporate applications.

The Verona 240 consists of 24 inputs, with 8 audio subgroups and 8 aux outputs. Ideal for front of house applications.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 240 consists of 24 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 320 consists of 32 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 320 consists of 32 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 400 consists of 40 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 400 consists of 40 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 480 consists of 48 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 480 consists of 48 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 560 consists of 56 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 560 consists of 56 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 640 consists of 64 inputs, with the standard Verona features found across the entire range.
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The Midas Verona is aimed directly at the professional market, if it be live music, installation or corporate the Midas Verona, developed by the same team that brought us the XL4 and the Heritage Series consoles. The 640 consists of 64 inputs, with the standard Verona features found across the entire range.
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The Midas Venice series, is strictly designed to be a smaller, more compact version of the larger mixing desks produced by Midas, without forsaking the design, engineering and sound quality provided by a Midas product. The Midas Venice 160, comes with 8 mono- 4 mono/stereo inputs, as well everything else you would expect from a Midas mixing console.
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The Midas Venice series, is strictly designed to be a smaller, more compact version of the larger mixing desks produced by Midas, without forsaking the design, engineering and sound quality provided by a Midas product. The Midas Venice 240, comes with 16 mono- 4 mono/stereo inputs, as well everything else you would expect from a Midas mixing console.
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The Midas Venice series, is strictly designed to be a smaller, more compact version of the larger mixing desks produced by Midas, without forsaking the design, engineering and sound quality provided by a Midas product. The Midas Venice 320, comes with 24 mono- 4 mono/stereo inputs, as well everything else you would expect from a Midas mixing console.
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Spare PSU for the Midas Venice series of mixing consoles.

The XL42 is a 1U rack mounted dual channel EQ, with XL4 four-band parametric equalisation with XL4 mic/line pre-amplifiers and 48V phantom supply. The XL42 has many uses, from simply improving the quality of an older console, or the ability to create custom mixing consoles through daisy chaining XL42s. Ideally, this amazing EQ is suited to applications requiring a high quality front end.

The Yamaha MG16/4 is a mid range mixing console, delivering features and audio quality that are simply outstanding in their class, making them excellent choices for a wide variety of professional and amateur applications. The MG16/4 is designed to be used in situations where you already have your own processor, or don't require effects. Overall a great quality mixer, designed to be compact but still maintain outstanding quality.
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The Yamaha MG24, is a 24-input models which are designed for serious live sound applications in which a substantial number of sources must be handled efficiently. The MG24/14FX also carries the dual Yamaha SPX effect processors built in, so you have everything you need for great sound right in the console.
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The Yamaha MG32, is a 32-input models which are designed for serious live sound applications in which a substantial number of sources must be handled efficiently. The MG32/14FX also carries the dual Yamaha SPX effect processors built in, so you have everything you need for great sound right in the console.
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- The GB4-12 model is now discontinued -
The GB4-12 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product.
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The GB4-16 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product.
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The GB4-24 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product.
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The GB4-32 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product.
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The GB4-40 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product.
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The GB8-16CH is a 16 Channel Analogue mixing desk, with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three led meters that very closely emulate the ballistics of VU meters.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB8 desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design, as you'd expect from this high-end manufacturer.
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The GB8-16CH is a 16 Channel Analogue mixing desk, with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three led meters that very closely emulate the ballistics of VU meters.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB8 desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design, as you'd expect from this high-end manufacturer.
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The GB8-16CH is a 16 Channel Analogue mixing desk, with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three led meters that very closely emulate the ballistics of VU meters.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB8 desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design, as you'd expect from this high-end manufacturer.
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The GB8-16CH is a 16 Channel Analogue mixing desk, with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three led meters that very closely emulate the ballistics of VU meters.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB8 desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design, as you'd expect from this high-end manufacturer.
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The GB8-16CH is a 16 Channel Analogue mixing desk, with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three led meters that very closely emulate the ballistics of VU meters.

Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.

The GB8 desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design, as you'd expect from this high-end manufacturer.
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As contractors and venues demand maximum return on investment, dual-purpose FOH and Monitors flexibility is now essential in a live sound console. The MH2-24 is a 24 channel analogue mixing console, delivering all the critical mixing features in a fixed frame format, achieving a performance/price ratio unheard of in any other console in its class.

Group or Aux on fader operation is selected at the touch of a button for familiar and uncomplicated operation. Soundcraft sound quality is guaranteed with the same mic preamp design used in the MH4 and MH3, classic British EQ and meticulous circuit design. And with important new features like separate line inputs on every channel, the argument for mixing with MH2 is compelling.

All Soundcraft MH2 mixing consoles come with an integrated switched mode PSU which can be removed for easy maintenance. Naturally, a rear panel connector is provided to fit an external power supply for complete dual redundancy assurance.
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As contractors and venues demand maximum return on investment, dual-purpose FOH and Monitors flexibility is now essential in a live sound console. The MH2-32 is a 32 channel analogue mixing console, delivering all the critical mixing features in a fixed frame format, achieving a performance/price ratio unheard of in any other console in its class.

Group or Aux on fader operation is selected at the touch of a button for familiar and uncomplicated operation. Soundcraft sound quality is guaranteed with the same mic preamp design used in the MH4 and MH3, classic British EQ and meticulous circuit design. And with important new features like separate line inputs on every channel, the argument for mixing with MH2 is compelling.

All Soundcraft MH2 mixing consoles come with an integrated switched mode PSU which can be removed for easy maintenance. Naturally, a rear panel connector is provided to fit an external power supply for complete dual redundancy assurance.
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As contractors and venues demand maximum return on investment, dual-purpose FOH and Monitors flexibility is now essential in a live sound console. The MH2-40 is a 40 channel analogue mixing console, delivering all the critical mixing features in a fixed frame format, achieving a performance/price ratio unheard of in any other console in its class.

Group or Aux on fader operation is selected at the touch of a button for familiar and uncomplicated operation. Soundcraft sound quality is guaranteed with the same mic preamp design used in the MH4 and MH3, classic British EQ and meticulous circuit design. And with important new features like separate line inputs on every channel, the argument for mixing with MH2 is compelling.

All Soundcraft MH2 mixing consoles come with an integrated switched mode PSU which can be removed for easy maintenance. Naturally, a rear panel connector is provided to fit an external power supply for complete dual redundancy assurance.
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As contractors and venues demand maximum return on investment, dual-purpose FOH and Monitors flexibility is now essential in a live sound console. The MH2-48 is a 48 channel analogue mixing console, delivering all the critical mixing features in a fixed frame format, achieving a performance/price ratio unheard of in any other console in its class.

Group or Aux on fader operation is selected at the touch of a button for familiar and uncomplicated operation. Soundcraft sound quality is guaranteed with the same mic preamp design used in the MH4 and MH3, classic British EQ and meticulous circuit design. And with important new features like separate line inputs on every channel, the argument for mixing with MH2 is compelling.

All Soundcraft MH2 mixing consoles come with an integrated switched mode PSU which can be removed for easy maintenance. Naturally, a rear panel connector is provided to fit an external power supply for complete dual redundancy assurance.
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Ideally suited for both Front-of-house and Monitor use, the Soundcraft MH-3 24 channel analogue mixing console provides sound contractors and venues with the critical commercial advantage of complete console flexibility. All it takes is the touch of a button to place either Groups or Aux Masters onto faders, delivering intuitive and uncompromised operation in either application. The MH3 has legendary Soundcraft sound quality delivered via a new high-headroom mic amp, classic British EQ and rigorous circuit design.

What’s more, the MH3 is a true modular console. Channels can be quickly removed and replaced in blocks of eight, making it easy to configure the MH3 to meet the user’s precise requirements and ensuring the robust reliability a life on the road necessitates. A professional, modular, dual-purpose live sound console at a truly affordable price.
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Ideally suited for both Front-of-house and Monitor use, the Soundcraft MH-3 32 channel analogue mixing console provides sound contractors and venues with the critical commercial advantage of complete console flexibility. All it takes is the touch of a button to place either Groups or Aux Masters onto faders, delivering intuitive and uncompromised operation in either application. The MH3 has legendary Soundcraft sound quality delivered via a new high-headroom mic amp, classic British EQ and rigorous circuit design.

What’s more, the MH3 is a true modular console. Channels can be quickly removed and replaced in blocks of eight, making it easy to configure the MH3 to meet the user’s precise requirements and ensuring the robust reliability a life on the road necessitates. A professional, modular, dual-purpose live sound console at a truly affordable price.
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Ideally suited for both Front-of-house and Monitor use, the Soundcraft MH-3 40 channel analogue mixing console provides sound contractors and venues with the critical commercial advantage of complete console flexibility. All it takes is the touch of a button to place either Groups or Aux Masters onto faders, delivering intuitive and uncompromised operation in either application. The MH3 has legendary Soundcraft sound quality delivered via a new high-headroom mic amp, classic British EQ and rigorous circuit design.

What’s more, the MH3 is a true modular console. Channels can be quickly removed and replaced in blocks of eight, making it easy to configure the MH3 to meet the user’s precise requirements and ensuring the robust reliability a life on the road necessitates. A professional, modular, dual-purpose live sound console at a truly affordable price.
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Ideally suited for both Front-of-house and Monitor use, the Soundcraft MH-3 48 channel analogue mixing console provides sound contractors and venues with the critical commercial advantage of complete console flexibility. All it takes is the touch of a button to place either Groups or Aux Masters onto faders, delivering intuitive and uncompromised operation in either application. The MH3 has legendary Soundcraft sound quality delivered via a new high-headroom mic amp, classic British EQ and rigorous circuit design.

What’s more, the MH3 is a true modular console. Channels can be quickly removed and replaced in blocks of eight, making it easy to configure the MH3 to meet the user’s precise requirements and ensuring the robust reliability a life on the road necessitates. A professional, modular, dual-purpose live sound console at a truly affordable price.
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Soundcraft’s flagship dual-purpose MH4 console has become even more flexible thanks to the introduction of updated mono and stereo input modules. The new modules expand the use of the Aux busses by adding true mono/stereo switching to take maximum advantage of the console’s 16 busses in Monitor mode, giving configurations of 16 mono, 12 mono/2 stereo or 8 mono/4 stereo mixes.

The MH4 has become widely adopted because of its ability to handle the most demanding live sound mixing, and is capable of use on FOH, monitors, or a combination of both. The new mono/stereo Aux switching makes the monitor-mode even more flexible when large numbers of mono mixes are required.
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Soundcraft’s flagship dual-purpose MH4 console has become even more flexible thanks to the introduction of updated mono and stereo input modules. The new modules expand the use of the Aux busses by adding true mono/stereo switching to take maximum advantage of the console’s 16 busses in Monitor mode, giving configurations of 16 mono, 12 mono/2 stereo or 8 mono/4 stereo mixes.

The MH4 has become widely adopted because of its ability to handle the most demanding live sound mixing, and is capable of use on FOH, monitors, or a combination of both. The new mono/stereo Aux switching makes the monitor-mode even more flexible when large numbers of mono mixes are required.
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Soundcraft’s flagship dual-purpose MH4 console has become even more flexible thanks to the introduction of updated mono and stereo input modules. The new modules expand the use of the Aux busses by adding true mono/stereo switching to take maximum advantage of the console’s 16 busses in Monitor mode, giving configurations of 16 mono, 12 mono/2 stereo or 8 mono/4 stereo mixes.

The MH4 has become widely adopted because of its ability to handle the most demanding live sound mixing, and is capable of use on FOH, monitors, or a combination of both. The new mono/stereo Aux switching makes the monitor-mode even more flexible when large numbers of mono mixes are required.
More information...

Soundcraft’s flagship dual-purpose MH4 console has become even more flexible thanks to the introduction of updated mono and stereo input modules. The new modules expand the use of the Aux busses by adding true mono/stereo switching to take maximum advantage of the console’s 16 busses in Monitor mode, giving configurations of 16 mono, 12 mono/2 stereo or 8 mono/4 stereo mixes.

The MH4 has become widely adopted because of its ability to handle the most demanding live sound mixing, and is capable of use on FOH, monitors, or a combination of both. The new mono/stereo Aux switching makes the monitor-mode even more flexible when large numbers of mono mixes are required.
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Equally suited to recording and live sound applications, the Spirit M4 4 channel powered mixer delivers a great-sounding, reliable performance, session after session, mix after mix. A mixer for life.

The Spirit M Series is also exceptionally easy to use. The control surface will be immediately familiar to anyone who has used a mixer before and will quickly become second nature even to a novice. All inputs, EQ, auxes, panning and level controls are presented clearly, saving you time when creating your mixes and providing you with more time to spend on achieving the best sound. High quality 100mm faders combine with signal and peak LEDs on every channel and high resolution output metering places the operator in total control.
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Equally suited to recording and live sound applications, the Spirit M8 8 channel powered mixer delivers a great-sounding, reliable performance, session after session, mix after mix. A mixer for life.

The Spirit M Series is also exceptionally easy to use. The control surface will be immediately familiar to anyone who has used a mixer before and will quickly become second nature even to a novice. All inputs, EQ, auxes, panning and level controls are presented clearly, saving you time when creating your mixes and providing you with more time to spend on achieving the best sound. High quality 100mm faders combine with signal and peak LEDs on every channel and high resolution output metering places the operator in total control.
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Equally suited to recording and live sound applications, the Spirit M12 12 channel powered mixer delivers a great-sounding, reliable performance, session after session, mix after mix.

The Spirit M Series is also exceptionally easy to use. The control surface will be immediately familiar to anyone who has used a mixer before and will quickly become second nature even to a novice. All inputs, EQ, auxes, panning and level controls are presented clearly, saving you time when creating your mixes and providing you with more time to spend on achieving the best sound. High quality 100mm faders combine with signal and peak LEDs on every channel and high resolution output metering places the operator in total control.
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Mixing channels:	24 mono + 4 stereo
Group:	8
Aux	8
Main:	Stereo, Mono
Matrix:	4

Mixing channels:	32 mono + 4 stereo
Group:	8
Aux	8
Main:	Stereo, Mono
Matrix:	4

Mixing channels:	40 mono + 4 stereo
Group:	8
Aux	8
Main:	Stereo, Mono
Matrix:	4

MixSwitch™ is a versatile 1U, multi-channel audio switching and combining system . Typical applications when in SWITCH mode include selecting between the Primary console (Digital or Analog) and Backup console, or between Headline and Opening Act consoles in concert/presentation situations. When in SUM mode, MixSwitch allows for the simultaneous use of both consoles (equally mixed). In club applications, selection between FOH and DJ mixers into a common audio system can easily be performed. Each MixSwitch unit can control up to 4 sets of line-level audio signals; Slave units can be added to jointly control additional sets of signals.
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