An ultra-compact, vertically arraying loudspeaker enclosure. Designed to be used in a variety of modes with the option of two enclosures pole-mounted, three to six enclosures ground-stacked, or between four and eighteen cabinets combined in flown array configuration.More Details
LMC will be exhibiting at the PRO 2014 Show this year, which is being held in conjunction with the established BPM Show, taking place at the NEC in Birmingham 13th - 15th September.
Visit the LMC team on stand J3 where we'll be happy to discuss your pro audio needs and introduce you to the latest in premium pro audio technology.
Born out of BPM, which launched eight years with the intention of filling a void on behalf of the DJ sector, PRO is a new exhibition aiming to fulfil a similar need in the professional audio, video and lighting industry with a fresh format; PRO organisers say: "...current shows just aren’t ticking the boxes for equipment manufacturers or industry professionals. It’s time to put that right. A number of exciting industry-related products will be exhibited at PRO 2014, including: audio systems, lighting fixtures, laser systems, trussing and staging, pyros and effects. For this reason, the show is ideal for professional sound and lighting users, late night venues, production/rental companies, event companies, and freelance technicians."
PRO will run as a collocated show alongside BPM. A dedicated entrance will ensure that PRO is accessible as an individual show whilst the BPM and PRO halls will be conveniently linked inside, allowing you to move between both. Together, the shows will occupy three halls and an impressive 15,000 sq/m of space within the UK’s number one exhibition centre: the NEC in Birmingham.
To register as a guest of LMC's visit: www.visitpro.co.uk/trade and enter the code: LM38CA.
Enter your details and you will be automatically approved, receive a confirmation email at the time of registration and then your E-ticket at the beginning of September.
We look forward to seeing you there!
First showing for CADAC at ABTT: (L-R) CADAC Sales Manager Rob Hughes and LMC Audio Systems Managing Director Paul Hinkly
Cadac Holdings Ltd., Luton, Beds. UK. CADAC is set to capitalize on its successes at the ABTT Theatre show with LMC Audio Systems Ltd., and at InfoComm with its Cadac Audio North American sales and distribution arm.
Speaking after his company’s first public showing of the CDC eight digital audio console, at ABTT, LMC Audio Systems Managing Director Paul Hinkly said, “There was tremendous interest, both among the theatre sound fraternity and the growing number of concert touring and corporate AV visitors to the show. The ever increasing variety of premium pro-audio products and technological convergence across pro-audio sectors is attracting more and more of these customers to ABTT.”
Moving forward, LMC Audio Systems’ sales team is embarking on an extensive demonstration programme across the UK, to all market sectors. “With its ‘next generation’ gesture-based touch screen operation, stunning sound quality, and network scalability and connectivity,” continues Hinkly, “the CDC eight offers considerable operational and performance advantages to our customers in all sound production sectors. For the theatre sound sector in particular, CADAC is a name that has fallen off the radar in recent years for a lot of people. A large part of our task is reintroducing them to the brand and the new digital offering.”
Meanwhile the company used InfoComm as a platform to promote its recently extended product line and new North American division, Cadac Audio Ltd. US and Canada. Post InfoComm, the division’s General Manager Paul Morini stated, “CADAC created a big impression with attendees at this year’s InfoComm, with the new dedicated US and Canada operation, a new look booth, new software development, lots of new product, and the presence of the company’s engineering and marketing crew.
“Apart from generating interest in the updates and ongoing developments of CDC eight and its newly acquired systems capabilities, we were there to make connections and establish alliances, most importantly in creating our sales and marketing network. The coming weeks and months will see the fruits of these efforts, as we roll out the sales network across all States.”
When Martin Audio rental stockist, dBS Solutions, was tasked by production company, Sell a Door Theatre Company, to design a sound system that would take the touring version of the long-running West End show Avenue Q across the UK, the company’s MD Chris Bogg was faced with his stiffest challenge in the company’s nine year history.
Not only was this puppet-based production the largest tour the company had undertaken, but the size of venues would vary enormously; and on tours where truck space is at a premium, trucking the minimum amount of kit, while keeping the production scalable, was crucial.
The Warrington based company’s relationship with Martin Audio dealers, LMC Audio Systems was also critical, and the latter’s sales manager James Lawford was able to put a creative deal together that enabled Bogg to secure the new generation theatre system that he had been wanting.
In the era after the Wavefront WT3 theatre boxes, Martin Audio has now introduced the versatile, sophisticated and purpose designed XD12 and DD6 (Differential Dispersion) technology, each with rotatable horns, and voiced for musical theatre.
The dBS owner admits, “I bought the XD12s and DD6s specifically for this tour. We were always looking to add more Martin Audio boxes to our fleet [to complement the 16-box W8LM system] but what made it affordable was securing this tour. It meant I was able to design the sound around exactly what the show required, without compromise, rather than base the spec on what we had in our inventory — and XD12 was the box I wanted to use.” Run with the DD6 and WS18X single 18in subs, he also saw it as a legacy system that would open the door to further similar projects.
“I had heard demos of the DD6 cabinets and colleagues had passed comment on how great they were, while the XD12 was the right size and dispersion, and sounded great when demoed,” summarised Chris Bogg.
Although on larger shows, such as Manchester Palace, the company had fielded all eight XD12s and DD6s in their hire fleet, venues like the Swan Theatre, High Wycombe called on five DD6’s to be placed along the stage lip as front fills, with a further pair of the ultra-compact boxes rigged on the flanks of the stalls to provide outfills to complement the in-house delay boxes, Run passively, six of the multi-angled, lightweight XD12s were rigged, three a side and focused into the stalls and balcony tiers.
In venues with very wide stalls sections where two boxes are used, the rotatable horn is used discerningly to create even coverage without comb filtering or exciting the walls of the venue. “For instance, in some cases the 80° x 50° configuration would be too wide when paired with another box if it wasn't for the fact that they are rotatable,” notes Bogg. “This speaker also runs down to 60-70Hz with an EQ boost at 65 Hz. We remove this in the stalls, but leaving it in place between 3dB and 6dB in the upper tiers allows for a fuller rounder sound whilst eliminating the need for extra subs in these areas.”
At the same time he draws attention to the DD6’s exemplary HF pattern control and the fact that it can be used in portrait or landscape configuration. “They are perfect for fills or delays — and I like the Differential Dispersion technology element as well as the universal brackets, which can be used in both orientations; this means we don’t need to carry two sets of brackets.”
Anything that lightens the weight and rigging time on tour is appreciated. Another huge bonus, hit on by both Bogg and his touring sound operator Joe Green, is the SpeakOn group switch on the back of the DD6, which saves them from carrying additional heavy copper cable.
In essence Martin Audio has provided four Neutrik NL-4 SpeakOn connectors and a two-way switch, which allows the technician to choose which pair of circuits in the 4-core cable the speaker is powered by. Two sets of four can be run on a single stereo amplifier in a single NL-4 run, allowing left-right alternation or for delay purposes, inner-and-outer or near-and-far circuits.
For Joe Green this solution is perfect. “While I have enjoyed working with all the Martin Audio kit this switch on the DD6 is certainly my favourite item; we can make use of the second set of pins and run one four core cable for delay and front fills — running two feeds down one cable.”
The remainder of his touring control is based around a Midas Pro 1 mixer with the show (including all cues for AV and video click tracks) stored in a QLab software environment, which MIDI triggers the console, along with Sennheiser Evolution 500 series radio mics, DPA 4061s mics for the cast and personal monitors for the six-strong pit band.
Proof of concept having been established — much to the satisfaction of production manager, Will Mauchline — Chris Bogg is already looking ahead to the future. “The XD12/DD6 combination covers everything I would want for theatre, and the XD12 is voiced similar to our W8LM line arrays — which is brilliant for our future work. And the passive or bi-amped option gives us further flexibility.”
In fact dBS Solutions have already been asked to undertake further work for Sell A Door as a result of this tour, and as a result of Avenue Q (as well as other work) they have been nominated for the Technical Theatre Awards hire company of the year.
For more information about XD12 and DD6 and to organise a demo, contact LMC Audio Sales: firstname.lastname@example.org
LMC has installed a NEXO GEO S12 system into Birmingham Christian Centre, fulfilling an exacting project brief for the client.
The main requirements for the venue, specified by LMC Birmingham’s technical field sales manager Tim Bamber, were that the main system should provide even coverage, good speech intelligibility and unobtrusive aesthetics. As the front of house position is right at the back of the hall, it was especially important to provide consistent frequency response and SPLs throughout the entire room. The GEO 12 allowed LMC to achieve this within 3dB dB-A, with an equal amount of mid-to-upper range energy at the back as at the front. This ensures that the engineer mixing the service can carry out his job without subjecting the congregation to unnecessarily high volume levels.
Another criterion was that the flown main speakers should provide a full range, punchy sound without too much reliance on sub bass. The centre’s previous system lacked headroom and the subwoofers - located beneath the stage with a tendency to be uncontrolled and ‘boomy’ - were used to compensate.
LMC designed a system consisting of left and right hangs of GEO S12, each comprising two S1210 and one S1230 modular cabinets. The hall was producing large amounts of reverberation, and this has been minimised by using these highly directional loudspeakers and designing the system to cover only the required areas. The line array system also directs vertical energy away from the high ceiling. The speakers in the left and right hangs were fitted with 120 degree flanges as the room is very wide.
Two further S1230s, one per side, have been flown vertically for outfill to the extreme sides of the venue. Two RS15 subwoofers are installed underneath the stage, while four PS8 monitors across the front of the stage provide front fill. The system is being driven by two NXAMP 4x4 Powered TDControllers.
James Lawford, sales manager at LMC Birmingham who handled the technical specification and document proposal, also carried out loudspeaker predictions using NEXO NS-1 simulation software. “This allowed the exact configuration to be determined before a speaker was even installed,” he says. “The real world performance matched the prediction with great accuracy.”
Running down to 85hz, the GEO S12 cabinets can provide most of the bass energy the system needs, with the RS15 subs used to add weight to the bass guitar, kick drum and low keyboard sounds.
“The spoken word is of critical importance in a church environment, so intelligibility was key to this installation,” says Lawford. “The GEO S12 system provides crystal clear speech coverage across the whole room. The addition of front fills helps locate the perceived sound source back to the stage instead of overhead for the people closest to the stage. The addition of front fills also ensures the church leadership, sitting on the front row, can hear!”
Finally, the solution proved cost-effective for the centre. “NEXO products are extremely high quality but represent excellent value for money,” says Lawford. “The modular rigging system requires only the necessary parts to be purchased. And buying a high quality system saves money in the long term by not needing upgrades in the foreseeable future.”
The DPA d:dicate™ Recording Microphone range combines unsurpassed microphone capsules with the highest quality pre's to deliver superior sound quality for all live and recording applications.
To make these great recording mics a little more accessible this summer, you can now get 10% OFF the price on all d:dicate™ Stereo Pairs until 31st July 2014.
Check out the ST2011C, perfect for close miking and stereo overheads on drums and percussion, being used on snare in Sound Network’s ‘In the Mix’ video, featuring rapper Angel Haze, live, at Heaven, London: http://youtu.be/qyCdDCCGGts?t=3m8s
Also suitable for a wide variety of applications across all styles of live music from from rock ‘n’ roll to opera, the ST4011A is a first order cardioid, ideal for overheads on drums, brass and string sections. Double bass and Cello sound spectacular when mic’d with these too!
Looking for wide cardioid mics? The ST4015A is an excellent choice for grand piano, guitar, marimba, and percussion or as a spot mic for groups in a symphony orchestra and the ultra-compact ST4015ER is ideal for unobtrusive spot miking, such as hanging use and, again, exceptional for pianos. See the mics in use with the Penguin Cafe orchestra live at Union Chapel, London: http://youtu.be/kF7Nbem1naI
For more information contact LMC sales: email@example.com or telephone London: 020 8743 4680 or Birmingham: 0121 359 4535
Cadac Holdings Ltd., Luton, Beds. UK. CADAC announces the appointment of LMC Audio Systems as an official UK dealer with immediate effect. The leading live audio sales company will be showing CADAC’s new CDC eight-16 digital production console at the ABTT Theatre show.
Speaking for LMC Audio Systems, Managing Director, Paul Hinkly, says, “This is a chance to work in meaningful partnership with a genuinely premium UK brand, meaning, not only top quality products from first class people but also a common purpose, to transfer the technical and commercial responsibilities and values, so expertly acquired through decades of leadership in the theatre market, to all engineers, PA co’s and venues who similarly deserve and demand such respect and support for their investments and businesses.”
Louisa Hinkly, Marketing & PR Manager, adds, “When we learned of CADAC’s re-positioning for all live market applications, we became very interested. Not only does CADAC complement LMC’s leadership position in live audio markets, it directly meets the requirements of customers looking for superior-quality audio and commercial returns.”
As well as the CADAC CDC eight, CADAC UK Sales Manager Rob Hughes will also be on the LMC Audio Systems stand at ABTT: “We are extremely pleased that LMC has joined our new UK sales operation. The company is justifiably held in the highest regard by industry professionals and brings a wealth of experience in selling consoles to all sectors of the live audio market. I have had the pleasure of working with them in the past and experienced, first hand, the sheer professional integrity, enthusiasm, and premier customer support that are the hallmarks of their operation. LMC will be a key asset in our UK market development strategy.”
The CDC eight-16 features 128 channels, 48 bus outputs and 16 fully automated faders, coupled with an exceptionally intuitive user interface built around the large-format touch screen control surface and (the CDC eight-32 features 32 faders and dual touch screen surfaces). The CDC eight’s sound quality is the result of CADAC’s legendary mic pre combined with a time-aligned, phase-coherent mix bus architecture, featuring sub-0.4 millisecond latency, from analogue inputs on stage to analogue outputs on stage. With a far less menu dependent operating system than other digital consoles, the CDC eight offers an unparalleled user experience combined with exceptional audio quality.
The optional CDC MC Router enables audio networks of up to 3072 channels of 24-bit /96kHz audio to be easily configured, comprising multiple I/O stage boxes and CDC consoles. The CDC MC MADI Bridge enables the integration of any third party MADI hardware into the system.
PA company MLS Audio turned to DPA’s d:vote™ 4099 Instrument Microphones to amplify a 10-piece orchestra in a venue with 95% reflective surfaces. As a company that prides itself on delivering great quality sound, Portsmouth-based MLS Audio has no hesitation in specifying the best equipment on the market to achieve its desired results.
It is therefore no surprise that, when faced with a tricky sound reinforcement project, the company turned to DPA Microphones for help.
Sound engineer and MLS Audio founder Guy Morris says: "The car manufacturer Bentley was holding a private corporate event at the Royal Exhange in London and we were approached by event organiser, Beyond Certainty, to handle the audio. The original brief was for ‘a few singers and a band’. This became ‘a few singers placed around the room on podiums with a band at one end’ to the final translation of ‘six opera and West End show artists and a 10-piece orchestra'."
Given the architecture of the Royal Exchange this wasn't as easy as it might seem. The roof alone is 50m high, while the interior has 95% reflective surfaces thanks to ample use of glass, marble, stone and tiles.
"The artists had already specified that their preference was to use headset microphones and immediately chose single ear versions of DPA's d:fine™ Headset Microphones," Morris says. "The orchestra, however, was another issue because we had 10 instruments to amplify in a space that was acoustically very challenging. We also had very limited set up time because the Royal Exchange is open to the public until 6pm and Bentley's event was due to start at 7pm."
A lot of discussion took place, during which various microphone placement options were considered. Despite the temptation to deal with the time constraints by going for a simple spot mic set up, it was obvious that the acoustics of the venue - and the fact that the artists were on IEMs - demanded a different solution.
"The artists required total clarity from different parts of the orchestra for their performances and spot mics in that acoustic environment just weren't going to deliver that," Morris says. "We spoke to James Lawford at LMC Audio Systems, our preferred equipment supplier, and he suggested DPA d:vote™ 4099 Instrument Microphones."
MLS Audio bought DPA's recently introduced d:vote™ Classic 10 Touring Kit, which incorporates 10 d:vote microphones, adapters and cables, as well as a selection of 25 clips for a variety of instruments.
"The selection of instrument mounts was marvellous," Morris says. "There were even two magnetic mounts for placing inside a piano with the lid open or shut. This was very useful as our orchestra was using a Baby Grand piano (shut), three violins, a viola, a cello, an upright bass, a flute and an Oboe."
Musicians are notoriously precious about their valuable instruments and are understandably wary of using clips in case they cause damage. However the DPA mounts were so intuitive that Guy Morris had no trouble persuading this orchestra to use them.
"The mounts are made of a non-abrasive rubber material that every musician was happy to use," he says. "In fact, I got the feeling they had used d:vote 4099 Instrument Microphones before because they were all able to place and fit the mount themselves with hardly any guidance from the sound crew."
Morris adds that the benefits of using DPA microphones was obvious from the outset.
"With every mic offering the same consistent neutral sound, it was a simple tweak of EQ to suit each instrument. The gain was ample with a quiet noise floor, and the placing of the mic (although critical for some instruments as they are of a directional, supercardioid pattern) offered excellent results."
Morris used the included XLR connection, via DPA's microdot connector, which allows for various interfaces and wireless systems.
"This was really useful as each violinist needed to easily unplug between their performances and take their instruments away to ensure they were correctly tuned for the next set," Morris says. "Getting a good balance of so many instruments close miked in a very limited time for both the orchestra on the FOH and for the singers hearing it in their IEMs would normally take far more time than we had available. The d:vote 4099 Instrument Microphones played a big part in getting us ready in time before the doors opened and the guests came in."
Apart from sound quality and versatility, Morris says the other advantage of using DPA d:vote's was that the orchestra looked very tidy on stage. No mic stands were visible and the singers were able to hear their key instruments, while guests were treated to some excellent renditions of West End show classics.
"The DPA d:vote microphones were a true problem solver for our challenging scenario and the all important factor was a satisfied end client," Guy Morris adds.
Julian Rees, Technical Director at Production Plus, at their warehouse facility in Hertfordshire with the Inspired Audio Axis AX12 wedges.
Hertfordshire-based production, entertainment and event-management company, Production Plus, recently put an Inspired Audio Axis AX12 loudspeaker system through its paces. The system, supplied by LMC Audio, was used on a high profile event with a contemporary artist who had minimal staging and space for technical equipment.
Julian Rees, Technical Director of Production Plus, comments, “With Axis AX12 our client’s expectations were met with limited visual impact, allowing clean sight lines whilst also keeping the artist/engineers happy in terms of performance.” He continues, “A large section of our work is to supply artiste technical specs to meet riders, however, these need to be acceptable to our corporate clients – not always an easy trade off! A problem we have long had is artistes wanting large wedges on stage. Axis AX12 gave us the solution of bi-amp wedges in a small format whilst delivering the level and quality expected by the artist.”
The wedges delivered in terms of audio performance, Rees noting, “The AX12 gave excellent feedback rejection with a sound that really cut through on the stage.” With trucking space and weight becoming a premium these days, the wedges and amps brought added benefits in overcoming these issues, meaning that for Production Plus they ticked all of the boxes.
JP Cavaco, Sales Manager at LMC London, comments, “Production Plus’s need for a compact bi-amp monitor that would satisfy the client’s requirements (minimum visual impact) as well as the artist’s (maximum audio quality) was perfectly met by the Axis AX12. In terms of quality, Inspired Audio’s dedication to delivering premium audio solutions is evident throughout their range, from the components and materials they use to the design and manufacturing processes they employ. A fine example of British engineering at it’s best.”
Rees notes, “We wanted to demo the Axis monitors from Inspired Audio because they had the pedigree and legacy from Chris Scott we knew and understood. The amplifier is a known quantity and just reinforced the brand as a serious contender on our shortlist. In terms of service and supply, the usual excellent LMC service was included. JP ensured we had all the kit in good time for prep and, as always, was happy to listen to our requirements and feedback on products.”
Chris Scott, Design Director of Inspired Audio comments, “I have great respect for Julian and his team at Production Plus, they are just consummate professionals. I’m so proud to be working with them and delighted that AX12 are being specified on this kind of project. Corporate A/V is a strong growth area for Inspired, so this just helps to build upon that momentum.”
For more information and to arrange a demonstration of Axis AX12, contact LMC Sales on: London, +44 (0)20 8743 4680 or Birmingham, +44 (0)121 359 4535 or email: firstname.lastname@example.org.
For further information about the Axis system range and other products from Inspired Audio, visit the Inspired Audio website.
For more information about Production Plus’s services, contact Julian Rees: email@example.com or telephone: 01462 684001
There are hundreds, if not thousands of videos and courses online all offering valuable advice on microphone technique, but nothing beats actually getting hands-on when it comes to learning what works (and what doesn't) in real live situations.
We invite you to join us for a hands-on Microphone Techniques Workshop with hosts JP Cavaco (LMC Audio Systems), Bo Brinck (DPA Microphones) and Adam Pierce (Sound Network). We will be focusing on improved mic techniques primarily for the live environment, but also how this crosses over into recording studio situations.
PLEASE NOTE: We've had an overwhelming response to our Free Mic Techniques Workshop and have decided to make a change of venue to better accommodate everybody.
The workshop will now be held at Union Chapel in Islington.
Full address: Union Chapel, Compton Ave, London, N1 2XD. (click for map)
This central location is easy to get to, the nearest station being Highbury & Islington which is on the London Overground and the Victoria Line.
As a result we've also had to drop the third (16:00 - 18:00) session, so will be inviting these attendees to either of the earlier sessions as there's now plenty of space! Please feel free to invite anyone you know who may benefit from a workshop like this to register on our website.
LMC Audio Mic Techniques Workshop:
Where: Union Chapel, London - Compton Ave, London, N1 2XD
When: Thursday 22 May
Times: There will be two sessions over the course of the day.
These are 11am - 1pm and 2pm - 4pm.
Register to attend: There are still a limited number of spaces available, so please register all attendees on our website.
Click here to register.
For any further information, please don't hesitate to contact us. We look forward to seeing you there!
Register free for PLASA Focus: Leeds 2014 now and visit us at the show!
The leading event for entertainment technology in the north of England will be held on 29 - 30 April, 2014, at the Royal Armouries between Clarence Dock, Leeds.
Visit the LMC team on stand N-C28 in New Dock Hall.
To register for the show, visit the PLASA Focus website.
X Factor runner-up, Jahmene Douglas, performing at Oasis Leisure Centre, Swindon using the Martin Audio W8LM system
Event production and hire company, Epic Production Services, have recently invested in Martin Audio W8LM and WS218X, supplied by LMC Audio London.
Matt Rogers, Director of Swindon-based Epic Production Services, did his research before investing in the system, which was purchased from LMC’s extensive used equipment stock. Having already used and become familiar with Martin Audio products, he wanted to ensure that W8LM would offer the same level of audio quality. He was not disappointed. “From the start it became evident that you could hear every detail of the mix through the W8LM system and at no point did I find I was compromised in what I wanted to achieve,” says Rogers. “Vocals sit naturally on top with Martin Audio’s very crisp and clear high end, whilst the WS218x’s offer a massive bottom-end kick.”
Last year, X Factor runner-up, Jahmene Douglas, sang at Epic’s local ‘Best of Swindon’ event using the W8LM system, to rave reviews. Having compared W8LM with alternative market offerings, Rogers found that the Martin Audio system best met his business needs, commenting:
“After trying out many different systems I chose to invest in Martin Audio W8LM because of its flexibility and its outstanding clarity. The system’s performance is unbelievable. When the bands and clients we’ve worked with have first taken a look at its small footprint and compact size they simply don’t think that it will be loud and clear enough. However, the doubts quickly disappear once they’ve heard it. Every time we turn it on everyone’s shocked at its capability and it receives so many compliments. In terms of logistics, its compact size also means that we save on truck space and time setting it up, making it a very efficient system for us to deploy.”
One of Epic Production’s clients, Keith Newman, Chairman at Broad Town Big Gig based in Wiltshire, for which Epic will be deploying W8LM again this summer, comments:
“We are a small, intimate outdoor festival that prides itself not only on presenting great local and national bands and artists, but also delivering a top quality audio experience for those artists and our audience. Our reputation has been built upon these principals, which is why we have utilised Epic Production Services for the last 6 years, and have been delighted with the use of the Martin Audio products. Now, with the Martin Audio W8LM's, the enhancement to the sound quality has been extraordinary, allowing us to further improve the experience.”
Discussing upcoming events, Rogers adds, “We will chiefly be using the system for live music events and already have many bookings for the summer, including Calne Festival and Broad Town Big Gig. We’ll also be working with loads of local talent, supporting up-and-coming artists such as Josh Kumra and George Wilding, who has recently been played for the first time on BBC Radio 2. I really wanted a system that could be as flexible as possible and with the W8LM I have just that; we can use it for theatre, conference and club applications as well as touring, truly maximising on the return.”
JP Cavaco, Sales Manager at LMC London, comments: “I’m delighted that Epic Productions have chosen to invest in Martin Audio’s W8LM line array system. It’s a well proven product from a British loudspeaker manufacturer that continues to offer a compelling mix of sound quality, durability and ‘hireability’.”
Rogers’ experience in working with LMC has been very positive:
“LMC have been absolutely amazing. I worked with JP on our upgrade for over a year trying out different solutions to find the one that best suited and each time came back to the Martin Audio W8LM. Throughout the entire process I have had as much support as I needed and LMC’s understanding of where I wanted to take my company and make it future proof has been second to none. It’s a great business relationship but also a great friendship. I certainly know I won’t regret choosing LMC and look forward to working with them in the future, and expanding our stock of Martin Audio.”
Simon Bull, International Sales Director for Martin Audio, comments, "This sale is a testament to both the quality and longevity of W8LM, and clearly the result of a positive collaboration between LMC and Epic productions. We're delighted for the support, and we're confident that W8LM's versatility will match the needs of Epic's busy and varied summer line up of events."
For more information about Epic Production Services’ events and services, visit their website: www.epic-productions.com.
For all new and used equipment enquiries, contact LMC Sales: firstname.lastname@example.org.
For further information about the W8LM range, and other products from Martin Audio, visit the Martin Audio website.
The QL Series continues the progression instigated by Yamaha's CL Series, bringing the same high level of operation, networking capabilities and outstanding sound quality within reach of the small-to-medium live music, corporate, speech and installation markets… and all at a price point which matches its compact size.
The new QL series comprises two models, the QL1 and QL5.
QL consoles are ideal for small-to-medium sized productions on their own, however onboard Dante networking allows them to be integrated into bigger systems with Yamaha's R-series i/o units and CL Series consoles. Up to eight R-series units can be simultaneously controlled by a QL console, offering as many as 256 input sources.
QL series is the perfect complement to rental company investment in the CL Series, with a brand new Port to Port facility giving CL Series consoles access to the onboard connections of QL consoles, allowing them to be used as external i/o. This allows very precisely scalable audio solutions to be created.
A QL version of the StageMix iPad remote control app and a fully fledged online / offline editor for Windows and Mac, QL Editor is available.
For more details visit the Yamaha QL Series section on our web catalogue.
Visit the team and see the new ranges on stand F12, Hall 8 at Prolight & Sound in Frankfurt, 12th - 15th March
Inspired Audio return to the Frankfurt Pro Light and Sound show confident of building on the solid foundations laid down at last year’s show. With a product focus in 2013 orientated towards the live sound and touring market, this year’s show will showcase the first products from the new mFlex MQ & iQ ranges, which will seek to broaden the product offer with MQ targeting the live performance market and iQ the fixed installation market. The show will also see an expansion of the reFlex bass range, with additions which are designed to complement the new mFlex product ranges.
First releases from mFlex MQ will be the MQ12 and MQ15. While the former utilises a 12” mid/bass unit and the latter a 15" unit, both products share a common 1.4” exit HF compression driver on a CD horn. Also common to both MQ enclosures is a multifunction cabinet design with a trapezoid front section augmented by a rear monitor angle. The cabinets also benefit from rear pocket handles and a selection of bracket and insert points. All drivers have neodymium magnet structures, with the mid/bass units also featuring 3” aluminium voice coils for enhanced midrange transient response. There is a choice of HF directivity, with 90⁰ x 40⁰ as standard and 60⁰ x 40⁰ an option. All HF guides are rotatable to enable operation in portrait or landscape modes. Cabinets are manufactured from birch plywood and finished with a polyurea coating.
The mFlex iQ range will combine installation-specific products with adapted versions of products from the MQ range. The iQ range will be finished in a water-based textured finish, with black and white as standard colours. Later in 2014, Inspired will introduce the 'Adapt programme' which will offer full RAL number colour matching.
To extend the bass response of the MQ12 and MQ15, Inspired have introduced the reFlex DR115 bass cabinet and DR118 sub bass cabinet. Both cabinets house high power, long excursion neodymium drivers, within vented direct radiating cross-braced enclosures. The two cabinets share a common cabinet width and runners and housings that facilitate stacking. As standard the enclosures feature reinforced insert points to assist in installation applications, but have the option of a touring pack that allows cabinets to be locked together when used for live performance. The third addition to the reFlex family is the B210, a product that shares a common structure to the Optima B210, but without the flyware. The product makes an ideal bass companion to the AX8 within the AV market, while also offering options to Installers where its compact dimensions and low 315 mm height make it easy to conceal under furniture.
Final Frankfurt release from the MQ portfolio is the MQA adaptable array enclosure. The compact cabinet features a central 250 mm, 90⁰ x 20⁰ waveguide, with a pair of 8” mid bass drivers mounted in a dipolar configuration. The cabinet can be used as a single element over the 80 Hz – 20 KHz pass band or combined together as a fixed angle array. For live performance two elements can be yoke mounted on a pole or stand, while larger combinations of three or four elements can be ground stacked or flown. The system's ease of use and scalability make it equally suited to live sound applications or installation within church, theatre or the leisure market.
Touring will not be forgotten with the compact Optima 8 array box and the ultra-compact Optima 5 array enclosure joining the Axis monitor range on the stand.
So come and visit the Inspired team on stand F12, in Hall 8, where we will be joined by Will Hinkly, Technical Sales at LMC Audio, UK & Ireland distributor for Inspired Audio, who will also be on hand to talk you through the ranges, our beliefs in an integrated solution and what the future holds for the brand.
For a Frankfurt appointment please contact:
Chris Scott – Head of Design at Inspired Audio
E: email@example.com or
Will Hinkly - Technical Sales at LMC Audio
For details of all of the products ranges available visit the Inspired Audio website.
DB Audio’s MIDAS PRO6 digital console at FOH, used for the ‘secret’ Prince gigs at the Electric Ballroom, Camden
Taking it from one of the few remaining venues in London to use an all-analogue system, to one of the highest-spec digitally-lead venues in town, long-established rental & production company, DB Audio, have invested in a pair of MIDAS PRO6 digital consoles for front-of-house and monitor duties at the Electric Ballroom in Camden.
Supplied by LMC Audio, the consoles were recently deployed for the first of Prince’s ‘secret’ gigs, held at the historic live music venue.
As a well-known rock ‘n’ roll circuit venue, which the company have an almost thirty-year association with, DB Audio had seen their fair share of digital consoles coming through the Electric Ballroom over recent years, but only a few had impressed compared to the older analogue system that they were running on FOH & MONS.
Richard Waterhouse, who owns and runs DB Audio in partnership with his brother, Steve Waterhouse, comments, “Our primary concern in running the house system at the Electric Ballroom has always been to achieve the best quality of sound we can. This aim, coupled with using only top quality experienced engineers, means that for visiting artists, engineers and promoters we regularly exceed their expectations of the venue.”
As touring engineers have brought their systems into the Electric Ballroom to link-up with the venue’s Martin Audio Wavefront rig, DB Audio have gained valuable hands-on experience using all of the leading brands of digital console. “The one which stood out from the rest in terms of sound quality was MIDAS”, explains Waterhouse, “and when we saw increasing numbers of engineers touring with their own PRO2 and PRO1 consoles, we felt the time was now right to invest in our own.”
Richard and Steve got in touch with LMC Audio to discuss the current market options. “We took them through the next generation of systems coming through from the major brands and narrowed the choice down to MIDAS PRO series”, explains Will Hinkly, Technical Field Sales at LMC Audio London. “Even though these are established systems within the market, they are proven in the field both in terms of sound quality and their flexibility and scalability, catering to almost every eventuality. It was important to Richard and Steve that the system was industry standard and would tick the ‘rider friendly’ box in order to accommodate all of the high profile touring artists coming into the Electric Ballroom.”
Deciding to opt for separate front of house and monitor consoles, the Waterhouse’s knew which MIDAS PRO Series desk would serve their application best, “The Midas PRO series embodies scalability with the PRO3 upgradeable to PRO6 and PRO9 through the addition of extra processing cards”, says Richard. “For us, the logical entry point was PRO6, upgrading our old 48 channel analogue system to 64 channels digital. Our philosophy has always been that the quality of sound on stage is just as important as front of house, so the decision to invest in two PRO6 consoles was easy.” Other factors which played a part in their choice were the ease of integrating a multi channel JoeCo Black Box recording system via a Klark Teknik DN9650 network bridge, and the simple convenience of being able to stand in front of their stage monitors and adjust 6 band parametric EQ using an iPad.
Hinkly says, “Once the choice was made we went to work on putting together the bespoke system which resulted in a configuration of PRO6 consoles. We organised a demo up in Kidderminster and, once delivered, performed additional on-site training for their most frequent engineers. This was an excellent indication to me of how the smaller PRO series consoles had infiltrated the market. Every PRO series desk shares exactly the same interface menu and utilises the same channel strip function, allowing engineers who were confident with PRO1 right the way up to PRO9 to get stuck in and establish a mix quickly and efficiently.”
Hinkly also introduced Fineline Media Finance to DB Audio, a well-respected asset finance specialist within the industry, that LMC have worked with on numerous occasions over the years. “Jon Openshaw, Area Sales Manager at Fineline Media Finance, returned a very suitable package to work with for the Midas PRO6 system that DB Audio could go forwards with”, comments Hinkly.
DB Audio’s first gig using the new system was with Black Rebel Motorcycle Club on 3rd February and the increase in sound quality far exceeded their expectations. “We can attribute this both to the quality of the pre-amps and the MIDAS design for sample accurate end-to-end phase coherence through the console,” explains Waterhouse. The day after this gig, they were requested to provide an 'open sound check' by Prince's management for a gig the following night. On arrival, Steve found that Prince's engineer wanted to run monitors, in-ears and FOH from the front of house console. “Running monitors from FOH would have been an almost impossible task using our old system but with the new PRO6 it amounted to a simple re-patch,” he adds.
The new system uses the Midas AES50 network protocol transporting both Audio and Data across Cat5. The I/O configuration is made up of a DL351 stagebox loaded with 56 mic/line inputs and 8 analogue line outputs. This is housed on-stage with the Monitor console, configured with two 8ch analogue output cards and one 8ch AES/EBU card. This is complimented by the FOH desk which is configured with a standard 8 analogue line input card, 8 mic/line input card and an 8 analogue line output card.
“Our Midas PRO6 consoles are now the heart of our system, with channel dynamics really easy to use and reverbs which sound lush and expensive, we are impressed by the quality of what's on offer and we are fully committed to digital technology”, adds Richard.
With this being the first of Prince's 'pop up gigs' in iconic London venues, much publicity was generated. Whilst most gig reviews don't mention sound quality (unless there are problems), one reviewer in ‘The Guardian’ noted the comments of a fan who attended the gig: “I’ll be buying the album but I just wonder if the songs are going to sound this good." (Quinn, B., 5th February 2014, The Guardian online: http://www.theguardian.com/music/2014/feb/05/prince-plays-secret-london-gigs)
Richard Waterhouse comments, “Our association with LMC Audio goes back many years, dealing with Paul Hinkly soon after LMC started trading. All of our major purchases have been made through them and we value their impartial advice and expertise.
In our business reputations are always hard earned and LMC have delivered time and again with the sort of service professionals expect: sales, demos and loans, repairs and servicing, trade-ins and a good used equipment list and above all knowledgeable staff able to offer top quality support to their customers.
We see our role at the Ballroom as providing the tools and opportunity for every visiting musician to give the best show they can and we are lucky to have made many good friends along the way.”
For more information and to arrange a demonstration of MIDAS PRO Series, contact LMC Sales on: London, +44 (0)20 8743 4680 or Birmingham, +44 (0)121 359 4535 or email: firstname.lastname@example.org.
For further information about the MIDAS PRO Series system range and other products from MIDAS, visit the MIDAS Consoles website.
For more information about DB Audio’s services contact Richard or Steve Waterhouse at: email@example.com or telephone: 01327 342459 or visit the DB Audio website.
Dave ‘Lofty’ Lockhart, owner of Codex Audio, with ‘The Blockheads’ and the Inspired Audio Optima 5 line array system
Midlands-based production and rental company, Codex Audio, has recently invested in an Inspired Audio Optima 5 array system, supplied by Inspired Audio UK distributors, LMC Audio.
Dave ‘Lofty’ Lockhart, owner of Codex Audio, is system technician, tour manager and head sound engineer (amongst others!) for ‘The Blockheads’ with whom he is deploying the Optima 5 line array.
Inspired Audio Design Director, Chris Scott, comments, “That Lofty has invested in the system is great news on a number of fronts; firstly he values the scalability of the system in a way that we had hoped the market would and, secondly, having a seasoned engineer of his calibre using the system will give us invaluable feedback at the factory.
Lofty carefully chooses every detail and element of the signal chain, so, choosing Inspired Audio for a crucial part of that chain is a big step forward for the brand, and we are delighted to have him on board as part of the Inspired Audio team.”
Codex Audio first tried out an Optima 8 system, a medium-format version of the Optima family of line-arrays, during summer 2013 when the system was put through its paces at Cambridge Rock festival. Whilst the system itself passed with flying colours, in follow-up conversation with Lofty, LMC Birmingham’s Tim Bamber and James Lawford soon recognised that what Lofty really needed was an ultra compact Optima system for those gigs that required all of Codex’s equipment to fit into a ‘Sprinter’ van. At this point, the focus of the conversation shifted to Optima 5.
Lofty comments, “When LMC brought Optima 5 over for me to listen to I was very impressed with how well such a small box performed. Scalability, flexibility and sound quality all are excellent features of this system, and along with the support I know I will receive from the LMC team it seemed like a logical step for me to take.”
Lofty attended LMC’s Inspired Audio listening event at Aylesbury Waterside Theatre in September 2013. Here, he had another opportunity to listen to the capabilities of the system and, importantly, a chance to speak with Chris Scott himself. Scott comments, “After some demo gigs with Codex regulars ‘The Blockheads’, I met up with Lofty at the listening day. This provided us with a great opportunity to have a play with the kit, demonstrate my take on system design and to understand Lofty’s needs.”
Bamber, Technical Field Sales at LMC Birmingham, says, “Lofty is an out and out audiophile so we had no qualms with Codex Audio being one of the very first to listen to Inspired Audio. At this premium level, whilst many customers remain fearful of stepping outside of the overly dominant brands, Lofty is confident in being one of the first to step into a new venture with Inspired Audio and LMC. By critically analysing the sound quality that Optima 5 delivers, he has let his ears (and his cheque book) make the decision and to pioneer the Inspired Audio system is a positive move forwards for Codex.”
Since taking delivery of the system Lofty has been very happy with the quality of the sound that such a compact box creates, using it for several events at The Mill Arts Centre in Banbury, including audio for film playback and the recent production of Aladdin, as well as a number of ‘The Blockheads’ shows.
Lofty comments, “With a tiny footprint at both the gig and in the van, plus a wonderfully transparent sound allied to great projection, Inspired Audio really delivers on sound quality and commercial returns. The icing on the cake is that Optima 5 can be scaled up to cover larger shows as well. For me, it ticks all of the boxes.”
For more information and to arrange a demonstration of Optima 5, contact LMC Sales on: London, +44 (0)20 8743 4680 or Birmingham, +44 (0)121 359 4535 or email: firstname.lastname@example.org.
For further information about the Optima 5 system range and other products from Inspired Audio, visit the Inspired Audio website.
For more information about Codex Audio’s services, contact Dave ‘Lofty’ Lockhart: email@example.com or telephone: +44 (0)1327 354777